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Story
Set
in
Delhi,
1984,
the
events
in
Jogi
unfold
four
months
after
Operation
Blue
Star
which
had
caused
anger
and
outrage
among
the
Sikh
community
across
the
world.
When
Joginder
Singh
AKA
Jogi
(Diljit
Dosanjh)
and
his
elderly
father
are
flung
off
a
DTC
bus
by
angry
passengers
after
the
assassination
of
former
Prime
Minister
Indira
Gandhi,
little
do
they
know
that
there’s
another
tragedy
awaiting
them
at
their
home
in
Trilokpuri.
As
they
head
towards
their
abode,
the
sight
of
the
burning
men
and
the
bloodthirsty
mob
leaves
Jogi
horrified.
However,
he
soon
finds
himself
becoming
the
stumbling
saviour
of
many
Sikh
families
when
a
vitriol-spewing,
shrewd
local
councillor
Tejpal
Arora
(Kumud
Mishra)
singles
out
Sikhs
from
his
constituency
and
announces
a
bounty
on
them
for
his
political
aspirations.
Spread
over
three
days,
the
film
then
revolves
around
how
Jogi
along
with
his
friends,
Rawinder
(Mohammed
Zeeshan
Ayyub),
a
cop
and
Kaleem
(Paresh
Pahuja),
a
truck
driver
sets
out
to
save
several
lives
that
are
at
stake
due
to
Tejpal’s
hunger
for
power.
Direction
Director
Ali
Abbas
Zafar
retells
the
horror
of
the
1984
Anti-Sikh
massacre
with
a
fictitious
tale
seen
through
the
lens
of
friendship.
Known
for
churning
blockbusters
like
Sultan
and
Tiger
Zinda
Hai,
he
adapts
a
mainstream
template
for
Jogi
too
and
that
works
in
its
favour
most
of
the
time.
Zafar
along
with
his
writer
Sukhmani
Sadana,
keeps
the
tension
in
the
narrative
intact
throughout
the
film.
The
scene
where
a
Sikh-smuggling
truck
stops
at
a
supply
farm
infested
with
mobsters
for
fuel
refilling
has
your
heart
in
your
mouth.
The
plot
device
of
three
people
of
different
faiths
uniting
for
a
cause
might
sound
a
bit
cliché,
but
Zafar
succeeds
to
a
large
extent
in
keeping
you
engrossed
in
his
storytelling
with
his
effective
scenes.
Having
said
that,
the
flashback
sequence
in
the
second
half
comes
across
as
a
bit
misplaced
but
makes
sense
with
respect
to
revealing
the
reason
behind
the
action
of
one
of
the
characters.
One
of
the
major
letdowns
of
Jogi
is
Zafar
reducing
Tejpal’s
character
to
a
caricature
in
the
finale
act
and
the
watered-down
climax
which
leaves
you
a
tad
unsatisfied.
Performances
Jogi
belongs
to
Diljit
Dosanjh.
While
we
have
often
see
the
actor
tickling
our
funny
bone
with
his
sense
of
humour,
in
this
film,
he
gives
us
a
glimpse
of
what
a
good
actor
he
is.
The
way
he
portrays
the
innocence
and
helplessness
of
his
character
is
remarkable.
There’s
a
scene
in
the
film
where
his
character
goes
to
Shams
Baug
to
let
go
of
his
religious
identity
for
a
bigger
cause.
It’s
a
close-up
shot
where
Jogi,
sitting
by
a
water
body,
holds
a
few
strands
of
his
hair,
looks
at
it
with
agonized
eyes
as
a
tear
rolls
down
his
eye.
The
way
Diljit
performs
that
sequence
makes
us
realise
that
there’s
lots
more
to
him
than
just
playing
breezy
characters.
Mohammed
Zeeshan
Ayyub
as
the
idealistic
cop
makes
for
a
good
team
with
Diljit
and
together,
they
make
sure
that
there’s
enough
going
on
the
screen
to
keep
you
invested.
Paresh
Pahuja
and
Hiten
Tejwani
deliver
what
the
script
demands
out
of
them.
Kumud
Mishra
gets
a
chance
to
make
some
impact
before
his
role
loses
steam
in
the
climax.
Even
though
Amyra
Dastur’s
cameo
suffers
from
feeble
writing,
the
actress
makes
sure
that
your
eyes
are
on
her.
Technical
Aspects
Marcin
Laskawiec’s
top-notch
camerawork
brings
ample
intensity
and
suspense
on
screen.
Steven
H
Bernard
with
his
taut
editing
makes
sure
that
Jogi
remains
crisp
from
the
first
frame
till
the
last.
Music
The
songs
in
Jogi
flow
organically
with
the
writing.
‘Mere
Sang
Ho
Rahi
Hain
Tafreeaan’
is
a
track
which
bringing
in
some
easy-flowing
vibe
in
an
otherwise
somber
narrative.
The
background
score
works
fine
for
the
film.
Verdict
There’s
a
scene
in
Jogi
where
Diljit’s
character
asks,
“Samjh
mein
nahi
aata
nafrat
ki
itni
aag
logon
ke
dilon
mein
kaise
hain.” To
this,
Zeeshan’s
Rawinder
replies,
“Koi
paida
thodi
hota
hai
nafrat
ki
aag
leke.
Achanak
ek
din
apne
dost
apne
padosi
khoon
ka
pyaasa
ho
jaata
hain.”
The
latter’s
words
ring
true
in
the
real
world
as
well.
Despite
the
troupes
in
the
narrative,
Ali
Abbas
Zafar’s
Jogi
still
has
your
attention
for
putting
out
a
larger
message
that
hope
is
the
one
thing
that
can
help
us
get
through
the
darkest
of
times.
#Jogi #Movie #Review #Rating #Diljit #Dosanjh #Emerges #Hero #Earnest #Act #Tale #Tragedy #Hope
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